“Old School Screen Printing in the Digital Age” (SGIA Journal, Winter, 2014) reflects what we have never disregarded – that traditional, manual screen printing remains a mainstay in the art and reproduction world despite the onset of the digital age. For those rediscovering or just discerning its potential, the simplicity and relative affordability of setting up a home-based or storefront studio and the dynamics of creating/selling beautiful, handcrafted pieces has kicked up a firestorm of brilliance.
DIY ART IS SCREEN PRINTING
As mentioned in the SGIA Journal feature, Etsy (on-line), art festivals and even Thunder on the Bay (a Sarasota, FL, biker festival of music, crafts, art and food) represent the face-to-face business that is building as manual screen printing churns out vivid creations in wearable and print arts. Various venues in 2014 will continue to host specialty, handmade items in small batches. Check out Art Expo in NYC. Watch for music festivals in Seattle, Barcelona, Chicago, Austin and Hamburg, Germany via Flatstock poster shows. The Renegade Craft Fairs in London, Chicago, Brooklyn, Austin, LA and San Francisco will also be favorite exhibits sites to be awed as will be other arts/crafts fairs throughout U.S. cities and around the nation.
COMMERCIAL ART IS SCREEN PRINTING
And, for the artists who are venturing into printed art/fabric design that appeals to commercial enterprise, the resurgence of manually screen printed items remain big ticket items. Gregory Markus, president of RhinoTech was interviewed after his attendance at a fine art show in the Park Avenue Armory in NYC that is a grand, towering exhibit space in itself. He noted the multi-dimensional screen printed art on display, the bold graphics and sharp, expressive designs. His zealous enthusiasm was infectious regarding the artists whose multi-layered original art prints represented a new wave of “traditionalists” creating limited-edition posters, lithographs and more.
The reemergence of this manually screen printed work, whether displayed in private or commercial arenas, signals an energized marketplace and excitement for a vastly creative, hands-on method in which to design and create. And, importantly, it helps to dispel the myth of manual screen printing’s downturn in favor of a solely digitally printed world. With a 30+ year background in fine art, screen, graphics and digital printing, Mr. Markus has been witness to bold changes and a new facination in producing art with manual screen printing!
NEW DIGITAL PRINTING TECHNIQUES VIA RhinoTech
RhinoTech is an example of a company that has remained true to its roots, firmly immersed in all things screen printing; yet, has recognized the value of digital printing and its highly creative genius. The company’s ability to blend these two types of printing practices helps all printers learn how to merge these processes under one roof to meet their own creative outlets and the needs of their customers. For example, though highly simple and refined software like Smart Designer Creative Assistant X6(that blends with CorelDRAW X6), this art production software tool offers value to both digital and manual screen printers. By tracking the pulse of these art-in-all-forms producing industries, RhinoTech offers value to its customers through providing software, screen cleaning equipment, earth-friendly screen frame cleaning chemicals, adhesives, manual screen printing accessories AND digital heat transfer equipment, the latest specialty transfer papers for use with both laser and inkjet printers.
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